If you’re sending an article, make sure it includes a synopsis of the piece, a word count, your contact information and details of any available photos. Proposals should be snappy and attention-grabbing. Addressing your email to ‘The Editor’ (unless that’s the specified approach) shows a lack of effort.Ĭheck whether your target publication prefers proposals or completed article submissions. Some may not accept any unsolicited articles, others may have strict rules about submissions.įind out the name of the editor or relevant section editor so your submission hits the right desk/inbox. Try to put yourself in the editor’s head.”īefore approaching any publication, read its contributor guidelines, which are usually on the website. “Know the publications you want to write for,” reiterates Don George. the list goes on.įamiliarise yourself with each publication so you are pitching the right style of article on the right topic. Many women’s titles have travel sections, or you could try Saga magazine, Which Caravan, Country Walking. But also think laterally – there are around 10,000 magazines in the UK. The UK has several dedicated travel magazines and newspaper supplements. “And don’t make things up: you only embarrass an editor once.” “Double-check your text for accuracy, especially with foreign names and words,” says Jonathan Lorie. Writing beautiful prose is no good if the facts are wrong. You should be able to see it, hear it, smell it,” says Lyn Hughes.ĭon’t underestimate accuracy. “A good travel feature transports you to the destination. It should draw the reader in to an engaging opening, middle and equally good end. “What exactly are you trying to convey to the reader?” You need an original angle and an interesting tone. “Know what the point of your article is,” says Don George. It’s not enough that you had a good time – you need a focus and you need to tell the reader something new. No one wants to hear about your last holiday. You have to somehow make it so that they become interested.” “You have to work from exactly the opposite assumption: nobody is interested. “A basic error with travel writing is assuming everybody’s interested," advised Bill Bryson in an interview with Don George.
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